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Seneca Canadian Fashion Resource

Seneca Canadian Fashion Diversity Project

The Seneca Canadian Fashion Diversity Project (SCFDP) is a multimedia resource for education about (as well as celebration of) fashion diversity. Hosted on a website supported by the Seneca Library, the SCFDP focuses on fashion diversity research, garnered through object-based methodologies centered on garments from the  Seneca Fashion Resource Centre collection (SFRC). This research will explore and expand on the SFRC collection, utilizing the lens of diversity to examine where alternative histories can be traced within existing garments from the collection, as well as look for gaps that need to be filled. These include people of colour, our First Nations History, LGBTQ+, and those living with a disability.  Canada has an incredibly diverse population; this is not reflected in traditional fashion historical narratives. The SCFDP works to rectify this. 

Canadian artist Gordon Shadrach gave the inaugural lecture for the SCFDP on March 28, 2022, to students from the Fashion Studies (FST) Fashion Arts (FAA), Fashion Business (FAB), and Fashion Business Management (FBM) programs of the Seneca School of Fashion.

In his inspiring and provocative talk, Shadrach covered topics such as the cultural meanings of specific garments like the hoodie and uniforms, as well as the semiotics of dress as they relate to the representation and perceptions of Black men. He also talked about his recent series of paintings that explore the history of Black loyalists in Canada.

The Seneca Canadian Fashion Diversity Project is made possible by a grant to fund the student researchers, as well as institutional support for Dr. Mark Joseph O’Connell.

The Seneca Canadian Fashion Diversity Project research team members are: Olivia Belande, Mara Buda, Anna Ludmirsky, Dr. Mark Joseph O’Connell and Rose de Paulsen.

Olivia Belande is a twenty-two year old fashion student currently residing in Toronto with her cat. She has a deep interest in vintage garments (particularly those from the 40s through 60s), and the people who wore them. She uses writing as a tool to explore her own blackness through fashion history, and to help make much needed space in the fashion community for other BIPOC and Queer folks like herself. She is also usually overdressed for most events.

Mara Buda is a Fashion Arts student at Seneca College going into their third year. After many years of searching for her true passion, she found joy in creating garments in small scale for dolls, where she got to play around with the idea of gender fluidity and has experimented with historical fashion recreation. The intersectionality between being a neurodivergent, fat, queer and gender-nonconforming (nonbinary) immigrant has led them to find empowerment within these communities. Their goal for the future is to do their best to uplift marginalized voices through the lens of inclusive but also fun and whimsical fashion. 

Anna Ludmirsky is a twenty-one-year-old queer, Jewish, First Generation Canadian born and raised in Toronto, Ontario. Anna is the founder and former president of the Women Empowerment club of her high school and is currently studying in her second term of the Fashion Arts program at Seneca College with a strong passion for fashion history and design. Alongside her alternative fashion, you can find her taking a pair of scissors to most of her garments to make them more unique. As a plus-size queer woman, in the future she hopes to design garments for those who wish to express themselves through their clothes no matter the size/shape.  

Dr. Mark Joseph O’Connell is a professor of fashion studies at Seneca College. His research focuses on globalization and social justice in fashion. His articles have been published in Fashion Theory; Textile: The Journal of Cloth and Culture; Fashion, Style & Popular Culture; Queer Studies in Media & Popular Culture and Fashion Studies. In addition to his academic work Mark is also an artist and writer, and prior to teaching worked as a designer both in-house at M.A.C Cosmetics and for his own clothing line Modular Menswear.

Rose de Paulsen is a second year Fashion Arts Student at Seneca College with an interest in costuming and performance wear. She attended York University’s Theatre Production Program where she found a love of creating costumes and garments, as well as celebrating Queer and BIPOC identities through performance arts. She now aims to shine a light on the marginalized voices of fashion history and further fashion into accessibility and inclusion. 

Published SCFDP Articles:

EXPLORING SUSTAINABLE INCLUSIVE FASHION: An Overview of the Brand “e3 Koncept” with Prof. Rushmita Alam.

https://fashionresourcecentre.com/?p=4070

Alfred Sung: A Fashion Maestro’s Journey

https://fashionresourcecentre.com/?p=4087

LEMLEM: WEAVING THREADS OF TRADITION AND EMPOWERMENT WITH LIYA KEBEDE

https://fashionresourcecentre.com/?p=4118

Angela Lin’s Experience of Toronto Fashion Week Spring 2023 at Fashion Art Toronto

https://fashionresourcecentre.com/?p=3868

DORIAN WHO?

https://fashionresourcecentre.com/?p=3692

Bübl x David Dixon: Fashion for a Greater Purpose

https://fashionresourcecentre.com/?p=3661

Zoran Dobric: Kohaze & Cross-Cultural Collaboration

https://fashionresourcecentre.com/?p=3673

Bonnets Get a Bad Wrap

https://fashionresourcecentre.com/?p=3643

Textiles Abroad! Seneca Students Learn of Andean Culture

https://fashionresourcecentre.com/?p=3540

Gordon Shadrach Lecture for the Seneca School of Fashion

https://fashionresourcecentre.com/?p=3519

POC Canadian Women Leading the Future of Fashion Magazines

http://fashionresourcecentre.com/?p=3415

Ribbon Skirts: Resilience with Every Ribbon

http://fashionresourcecentre.com/?p=3428

All Eyes on Alfred: A Look Back at Canada’s King of Fashion

http://fashionresourcecentre.com/?p=3475

Alex S. Yu: Made with Dream and Love

http://fashionresourcecentre.com/?p=3475

Round of Applause for Our Kings – Appreciation Post for Canadian Drag Kings!

http://fashionresourcecentre.com/?p=3445

The Cry for True Androgyny: Navigating Genderless Fashion in a Binary Industry

http://fashionresourcecentre.com/?p=2908

Anita Clarke, “Engineering Storyteller” of the Online Fashion World

http://fashionresourcecentre.com/?p=3323

Edith Strauss – From Schmatte to Riches, The Woman Who Left a Legacy within the Fashion Industry

https://fashionresourcecentre.com/?p=3302

Making What Others Say is a Flaw, into a Success Story – Winnie Harlow

https://fashionresourcecentre.com/?p=3287

Rebecca Belmore, Art as a Call to Action

https://fashionresourcecentre.com/?p=3199

Breaking Barriers, Forging Pathways: Yasmin Warsame 

https://fashionresourcecentre.com/?p=3274

Marie Marguerite Rose: A Story of Early-Colonial French Chic and Emancipation…

https://fashionresourcecentre.com/?p=3168

Hanfu, an Embodied Exploration of Fashion History and Culture

https://fashionresourcecentre.com/?p=3122

Evan Clayton, Vancouver Designer who Creates Theatrical, High Fashion & Drag Looks

https://fashionresourcecentre.com/?p=3107

Canadian Cosplay and Diversity

https://fashionresourcecentre.com/?p=3079

Aadhe – Catta Lyst 

http://fashionresourcecentre.com/?p=3062

Welly Couture – A Look into 80’s Couture 

http://fashionresourcecentre.com/?p=2925 

Sifting Through the Missing Pieces: A Look at Those Who Were Enslaved to Create Clothing 

http://fashionresourcecentre.com/?p=2919 

Sapphic Romantics and Neoclassical Fashion 

http://fashionresourcecentre.com/?p=2911 

Claire Haddad: A Canadian Fashion Icon (1924-2016) 

http://fashionresourcecentre.com/?p=1688 

Do These Artworks Make You Uncomfortable?: Exploring the Underrepresentation of Blackness in Mainstream Art 

http://fashionresourcecentre.com/?p=2755 

Lana Ogilvie, Canadian Supermodel 

http://fashionresourcecentre.com/?p=2726 

The Honorable Dr. Vivienne Poy: A Seneca Success Story that Reaches Far Beyond Fashion   

http://fashionresourcecentre.com/?p=2717 

Forever Elegant: Yasmeen Ghauri’s Stamp on the Canadian Modelling Industry 

http://fashionresourcecentre.com/?p=2700 

D’Arcy Moses 

http://fashionresourcecentre.com/?p=2685 

Greta Constantine, Canadian Designers 

http://fashionresourcecentre.com/?p=2672 

The Game-Changer Pant – IZ Adaptive  

http://fashionresourcecentre.com/?p=2654 

A Suit Made Not to Fit 

http://fashionresourcecentre.com/?p=2620 

Ève Salvail, Canadian Supermodel 

http://fashionresourcecentre.com/?p=2609 

Hoax Couture, Canadian Designers 

http://fashionresourcecentre.com/?p=2590 

Angela DeMontigny Turns Heads With Fabulous Indigenous Inspired Wearables 

http://fashionresourcecentre.com/?p=2565 

Anita Clarke Black artist Black Canadian History Canadian Drag Canadian Drag Kings Canadian Fashion Canadian Fashion Designer Canadian Fashion Diversity Canadian Fashion History Canadian Supermodel Christian Dior claire haddad conspicuous consumption Dior downton abbey Drag King Fashion Fashion History fashion theory Feminist Fashion First Nations Fashion Gordon Shadrach Indigenous Fashion Iris Simpson Isabel Toledo Jennifer Dares Kohaze LGBTQ LGBTQ Canada lifestyle news RIbbon Skirts Ruben Toledo Seneca Canadian Fashion Diversity Seneca College Seneca Fashion Seneca Fashion Faculty Seneca Fashion Resource Centre style Supermodel Sustainable Thorsten Veblen Vicarious consumption Winnie Harlow Yasmin Warsame

Research from the Seneca School of Fashion faculty, student researchers and visiting scholars

https://twitter.com/SenecaFashion


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